The subject matter of these paintings is a continuation of the theme from the artist’s last exhibition, which depicts painting racks in a studio storeroom. The works in the current show include the same interior but with the addition of elements from even earlier pictures, such as a polyhedral sculpture by Howard Kalish, an easel, a cityscape seen through an open window and a figurative painting propped against the wall. Continue reading Susannah Phillips
kuma&elsa . photos: © Shohei Kuma . + dezeen
In her childhood house, the client had a veranda -engawa, in Japanese. Sitting in that space open to the garden, she was enveloped by the smells of fresh grass or the neighbors’ cooking. She wishes to recreate that memory in an apartment 15 meters above the ground, which evoked for us a house open to the sky. Continue reading kuma&elsa
Guča arch. photos: © Matej Hakár. + archdaily
Located within the grounds of the Zaježová Educational Centre in Pliešovce, this sauna reflects the center’s focus on ecology, sustainability, and personal development. These values served as the primary determinants for the architectural proposal, which also addresses the insufficient comfort of the original sauna. Continue reading Guča arch.
Noue Studio . photos: © Willem Pab
The restaurant renovation project is organized around a central wall that structures the space and guides circulation. Conceived as a backbone, this wall helps clarify functions while connecting the different zones within the space. The opening creates a fluid passage and brings a new depth to the place by linking areas together. Continue reading Noue Studio
Fashion Museum Bath will become Britain’s leading museum of fashion. The museum’s collection, founded in 1963 by writer and dress historian Doris Langley Moore, is one of the most significant in the world. For the first time, it will be exhibited in a dedicated museum in the heart of Bath’s World Heritage Site championing fashion’s transformative power as an expression of creativity, culture, identity and wellbeing. Continue reading 6a
